I was disappointed in Oz The Great and Powerful. As far as movies go, I was left wanting more. I thought the colors were incredible, but the talent of Rachel Weisz and James Franco incredibly wasted, and Michelle Williams too soft and vapid. Mila Kunis was gorgeous, but her Wicked Witch of the West paled in comparison to Margaret Hamilton, who to this day is the only actress to portray the character beyond imagination. I said all this months back when the movie first hit theaters. You can check out my review here.
All this said, now that it has hit the Starz channel and on rotation nearly daily, I’ve had a chance to watch it again and while I still think it was capable of so much more I did discover the second go around, a gem – a song during the end credits that I may have caught had perhaps I stuck around the theater long enough the first time. But I hadn’t. I broke my golden rule. Credits = music, and assuming the score would be as much of a bore as the flick, I hightailed it out of there instead of sticking around for hidden surprises like behind the scenes outtakes, sneak peek’s at future movies and well, music. After all, the end credits were the best part of the first Twilight film; the samples from the soundtrack that accompanied the millions of names scrolling up the screen worth the hour and a half of bad teen angst acting.
But I digress….
Back to Oz.
I had to Shazam it because I couldn’t believe what I was hearing. For a music lover with a deep appreciation for the human voice, I was stunned. The tune was glorious in the way only one accompanying a major Hollywood film would be, but it was that voice. It was familiar, but almost forgotten; its divinity lost years ago. It was …Mariah Carey? A non-shrieking, solid vocal performance from the diva whose music I once sang along to before she got all Honey on me? Mon dieu!
I have never heard this song until a few days ago, but have to say, I was impressed and hope there is more tricks left in MC’s bag. I sure hope so. The Emancipation of Mimi album was LONG overdue and I am anxious for another solid album.
“Almost Home” by Mariah Carey
Two other recent discoveries come from the CW’s new show, The Originals. I am a huge fan of The Vampire Diaries’ spinoff. Set in the city of New Orleans (my kindred soul mate, if a city could be one), the show focuses on the remaining members of the original vampire family – siblings Klaus, Elijah and Rebekah. The acting is solid – both Joseph Morgan and Claire Holt incredibly talented, stealing many scenes of TVD episodes over the past few seasons – and plot line compelling, a well written new spin on the witches vs. vampires tale started over on TVD and carried deliciously over to The Originals. And…like most CW shows, the music featured in each episode is just the way I like it: indie and emo, with a tad of edge to keep it interesting. Many of the artists featured in episodes so far I was introduced to through TVD. But so far this season a couple of favorites are singles from Mercy and Moby featured in episode 3, “Tangled Up in Blue.”
“Mercy” from Hurts
“A Case for Shame (with Cold Specks)” from Moby
I also must share a new tune discovery from one of my fun favorites Drop Dead Diva – a show which thankfully found new life after having been cancelled by its home network and producer, Lifetime.
Sometimes the emotions in a friendship are stronger than words can describe, and Shawn McDonald’s song “Through it All” was the perfect song choice for Season 5’s Episode 11, which saw best friends Jane and Stacey finding meeting in the middle after…well, you just need to watch the show because it’s too hard to explain. But it was after an “oh no she didn’t!” moment that I thought nothing could repair.
I found the version of the song they used in the episode on iTunes, but all of the videos on You Tube are a different version and trust me, the one from the show was incredible. So, for now, a small clip will have to do. Click here and then click on the song title, “Through it All.”
And lastly, this ethereal beauty was discovered in last week’s episode of Witches of East End on Lifetime. And before you judge me, I will say the show is fabulous! I thought it would be a cross between Desperate Housewives and that tragic show about scandalous maids on Lifetime, but it’s not. It’s fabulous and wicked and I hope (fingers crossed) good enough to make it another season.
Matthew Perryman Jones’ “Canción de la Noche” caught me totally by surprise. It was quiet, and simple, and haunting, and everything about music I love. A song that reached into my chest and squeezed tight. It’s a powerful song, telling a story that seems to be of both this world and another. Check it out, you’ll see.
That’s it for now. But I have a ton of shows to catch up on, so don’t be surprised if you see another post in the days following with more delightful discoveries. Until then download these finds, slip on your headphones, and drift slowly off to sleep.