Moview Review: The Great Gatsby

I didn’t get a chance to see The Great Gatsby when it hit theaters this past spring. I was anxious to see it. I really love Baz Luhrman’s work. It’s over the top and visually stimulating, and always good about pin-pointing a period of time with a subtle weave of modern day accessibility via score and soundtrack. Also, I am a huge F. Scott Fitzgerald fan. A few of the story nuances may have gotten tangled in that cobweb filled, lit-obsessed mind of mine, but the story is synonymous with everything I love about his work:  the decadence, idealism, and excess of the Jazz Age, coupled alongside impractical and incredibly tender and eloquent stories of youth and love that is often suffocated and tainted by the greed filled society that surrounds them. (Phew, wish I could have summed up my words like THAT in college).

I will admit, I wasn’t a fan of the 1974 film starring Robert Redford. The man is gorgeous, of course. I mean, stunning in the way J. Gatsby should be. But the film always failed to bring out the opulence of the Jazz Age, and Mia Farrow’s Daisy Buchanan always appeared dingy and flighty, not self centered or narcissistic in the way those of us who have a love/hate relationship with Fitzgerald’s Daisy imagine her to be.  Check out the original trailer below, you will see what I mean.

Stark contrast to the high energy, totally stunning, reel you in trailer from Luhrman:

Farrow’s Daisy  also wasn’t nearly as stunning as Carey Mulligan’s Daisy. I know movies have changed a lot in the past 35 years, so maybe some of the look in feel of the film and its characters were transformed in a way now, that they couldn’t be, then. But Farrow’s Daisy was always off and that ruins a movie for me…when you can’t love/hate the character the same way on the screen as you do in the book because of bad casting. (You hear me Kristen Stewart??)

People can say what they want about Leo DiCaprio, but I happen to like the actor. I think he has gotten unfairly overlooked by the Academy over the years. Some of his films have been incredible – Blood Diamond and Inception to name a few. But I feel like no one has ever really given him a fair chance since Titanic. To this I have to say come on! You gave Kate Winslet a chance to move past the film, people really should let Leo move on, too. And he didn’t look too bad. His “old sport” was a bit irritating, but they were in the book as well. There is actually a point in the movie where I am so in love with the both of them (Caprio’s Gatsy and Mulligan’s Daisy), they look that good together, that I almost forget Daisy is a self obsessed snob and he, nothing but a bootlegger.

Luhrman was careful not to forget to focus on the exquisite writing of Fitzgerald using key moments in the film to underscore the brilliance of his work by bringing the words to life on screen, including my favorite line from the book, uttered by Nick Carraway: “I was both within and without.” Poetic. Every time I read the story it gets me. Every. Single. Time.

Last but not least, I want to say a hearty well done to Jay Z for his work on the soundtrack – an effort he brought to life through collaborations with many amazing, talented artists that I happen to love including Lana Del Ray, Florence + the Machine, The xx, and Nero, to name a few. Who cares what this rambling review from the Village Voice says. It’s fabulous and I am only sorry it took me four months to discover it. I love it that much. Don’t trust me? Check out the following tracks: Lana Del Ray’s “Young and Beautiful,” Florence + the Machine’s “Over the Love,” The xx’s “Together,” Gotye’s “Hearts A Mess,” and Nero’s “Into the Past.” Of course Jack White’s cover of U2’s “Love is Blindness” — as heard in the soundtrack — is incredible. But I would have loved to have heard the two collaborate on that.

I’m not a huge Tobey Macguire fan, but he plays a pretty good clueless Nick Carraway and Isla Fisher has little screen time as Myrtle.  Joel Edgerton is a solid Tom Buchanan. I really liked him in The Odd Life of Timothy Green . He’s an actor I am going to pay a bit more attention to in the future.

All in all a film I really, really, really enjoyed and the beautiful architecture of the Jazz Age captured brilliantly in the films many, many, many marketing pieces such as the cast photo below.

“The Great Gatsby” is now out on PPV and DVD and Blu-Ray.

https://i0.wp.com/upload.luckyworld.net/diskboard/2013/08/13/0813_6175.jpg

Advertisements

Anxiously awaiting the Jazz Age – Great Gastby Trailer Released

The Great Gatsby…..what can I say. It is a classic, classic work of American Literature and one of my favorites. I must have read it a dozen times in college and since then, a dozen more. It inspires me. It touches me. The prose makes me want to crawl inside the book and live for a while. I love it that much and F. Scott Fitzgerald will forever be one of my literary heroes.

When I heard Baz Luhrmann was adapting the movie I filed the news away under my “movies I can’t wait to watch” list. I am a huge fan of Lurmann. I absolutely loved Moulin Rogue and when his adaptation of La Boheme arrived in San Francisco some years back, I was one of the first in line for tickets. What he does in translating period stories to stage and film, set alongside modern music, is nothing short of incredible. And while I was a bit concerned the movie wouldn’t translate well to film (I was not a fan of the 1974 version with Redford/Farrow), I did catch the trailer when it hit yesterday and have to say, I am intrigued. Not sure if it’s seeing New York in the Jazz Age or hearing Jack White’s cover of U2’s “Love is Blindness,” but I kinda can’t wait. Check out the trailer and let me know what you think.