Vampire Diaries Season Six Finale Recap – Goodbye Elena, Hello Steroline

I have a hard time letting go. Of people. Of moments of time. Of things I love. Even TV shows, as silly as they may sound. When they’re over — for the season or for good — I am usually stuck in those last moments for a little while, thinking, processing. And just when I think to myself “Ok D, time to move on, you’re being silly,” I think no. That’s what they are about. Shows, and books, and movies, and music, they are meant to make us feel. To think. To watch and question and discuss the lives of others because in doing so, we may better understand ourselves, our own lives, and the world around us. Yeah, TV does that, at least for me.

Say what you will but TV has turned out some of the most powerful performances I’ve seen on a screen, TV or silver.  The end scene from last year’s season finale of The Originals. The series finale of Being Human, when Aidan gets his door. The closing sequence of Lost’s grand exit. Those were some of the most thought provoking, heart wrenching moments for me.  And that’s just a few that I like. There are countless others, but those are a few that no matter when I watch get me every. single. time.

So, what’s the most recent finale to grab my heart? Last week’s finale of The Vampire Diaries, “I’m thinking Of You All the While.” Saying Goodbye to Elena …I will admit, it got to me. And not just because we were saying goodbye to Nina Dobrev, but because we were saying goodbye to that chapter of the series (and some will say the series ultimate demise because which show can go on with the exit of its main character) and moving on to a new one.  It will no doubt be a new show without its main character, and after the traumatic events at Jo and Alaric’s wedding, I’m curious how the show can go anywhere but into darkness. I have always loved the Salvatore brothers and do think their story is at the heart of the show, so it’s anyone’s bet really.

I’m into this show. And no, not in that “I am almost 40 and think I am a teen” kind of way. I am into it because it’s a really, really good show. Julie Plec is an amazing writer and has done a great good job over the past six years turning this little show that could, into a dramatic, exciting, heart warming, sad, comedic, and emotional program that makes the lives of vampires and witches and werewolves something you can’t help but watch. You want the characters to find their slice of happiness. You wanted Elena to be human again. You wanted Damon to save Bonnie, even though it meant saying goodbye to his soul mate for the next 60+ years. You wanted Stefan to proclaim his love for Caroline, and for Tyler to trigger his werewolf curse and move on. And Kai – the villain we loved to hate – we wanted him to die, but knew it meant that with it, meant having no way of freeing Elena from his spell unless it meant the death of her best friend. And the goodbye scenes between Elena and her friends… So. Many. Feels.  Each a throwback to some of the shows first moments.

Damon and Elena’s last scene together, that dance…what can I say. I had a lump in my throat. It was everything we wanted for these two since their first dance back in season one. It was the moment of tenderness between two who fought hard to be together and when it mattered most, wanted just one more dance to be together before having to say goodbye for what would feel like forever. But we know it wasn’t  forever. Just a few decades. Or until Bonnie dies. And since Ms. Dobrev has left the show, that’s most likely when the series comes to a close since Kai snuck in that sneaky little clause that if anyone tried to break it, both would die.  (But on a side note for a moment: if anyone did want to try to break it, I know of two powerful witches over on The Originals who despite being relegated to ash will most likely reappear again sometime, as always, and hey, they could try their magic on Klaus’ spell. They are the mother of witches and vampires after all). But back to the dance…It was beautifully shot and the music, Ross Copperman’s Hunger – so perfect. Not to mention, a sneak peek at the next epic love that will pull us in, Stefan and Caroline. Wow, how far has this show come in six years for that to happen.

I know there are many who will stop watching – without Dobrev there’s no triangle, no Katherine Pierce, no love for Damon to center his every action around. But I am. I want to know where Julie Plec will take us. With the introduction of Heretics (vampire/witch hybrids) we know she is capable of taking us somewhere  we never thought possible – I mean really, she figured out the perfect way to allow Nina Dobrev her exit and not by killing the character. And then there’s TVD’s spin-off The Originals. That show is incredible.. And with the focus being on the Salvatore brothers — their  at the heart of the show for me, since the beginning — it’s anyone’s bet really. I think we’re in for quite a ride.

Until next fall, you can find me listening to the season six soundtrack and watching that exquisite dance over and over, thinking of it “All the While.”


Being Human has heart – Series Finale Recap


It’s only been a few days since I finished the fourth and final season of SyFy’s Being Human. I didn’t catch it when it first returned earlier this year so like I’ve done with countless shows before, I recorded the rest of the season, patiently waited for a marathon to catch the first couple I missed, and then binge watched once I had every episode.

That was last week.

It’s a  new week, and I’m still a melancholy mess.

It’s like GoT’s “Red Wedding” all over. Except happier.

To say I’m having a hard time letting go is a bit of an understatement. The last season was just that good and I can’t believe it’s over. Maybe if I had watched over the course of thirteen weeks, it would be easier to say goodbye to the little SyFy hit that captured my heart. But no, I power watched. I lived season 4 in only a few hours and I didn’t have each week to process what was happening. So sigh…I have to do it here, before my heart runs astray and I’m stuck in La La Land for another week.

What can I say about this last season other than it was absolutely incredible – full of solid writing, standup acting from the series’ stars Sam Witwer, Meaghan Rath, Sam Huntington, and Kristen Hager, and chalk full of surprises, clever twists, and stunningly beautiful story wrap ups for its characters. It was so much more than I thought it was capable of. They really pulled out all the stops and the last season with many scenes that took my breath in powerful, unexpected ways. Unlike many series finales over the years, I’m not left wondering what could have been had the show continued for another season or two because it went out on top with sublimely perfect moments for the show’s couples Josh and Nora, and Aidan and Sally. And from what I understand, this is exactly what the cast wanted for this last season, ever since it was announced early last year that this season would be its last.

When Being Human began its run in 2011, its unique storyline resonated with audiences. Based on the British show of the same name airing on the BBC 2008– 13, the show explored the friendship among three supernatural roommates – Josh (a werewolf), Aidan (a vampire) and Sally (a ghost), and later Nora (Josh’s finance then wife, also a werewolf), as the four tried to explore the notion of hanging onto their humanity in a supernatural world. It was by far a clever twist on the plethora of supernatural shows hitting around the same time, and after its freshman season, the show proved that yeah, it was an interesting concept worthy of a watch.

I missed a few episodes in the first two seasons, but watched religiously in seasons 3 and 4 as the show delved deeper into exploring the simple question – what is it to be human – as we learned more about Aidan’s past life, the family he lost; Josh and Nora’s try at a normal relationship and then, marriage; and Sally’s return from the other side, only to be cast back again with the ability to travel through time and live at different moments in time, including the one where she was human again – giving her the chance to be with Aidan in every way possible.

Gah! Aidan and Sally. What can you say about them? I love them separately – Meaghan Rath delivering most of the season’s best lines – and I love them together. I loved every episode of season 4 truly, but Episode 8 “Rewind, Rewind” was one of my absolutely favorites. The way it was shot. The storyline. And the scenes between Aidan and Sally were so damn good! Not to mention, there were some really lovely moments between the two couples.

Here, let me just pause and give kudos to the group that scored the last season. The playlist is absolutely incredible; many of the season’s best scenes anchored by incredible music like this gem from Stumbleine, “Beat My Heart Skips (ft. Coma)” featured at the end of Episode 10 when Nora tells Aidan that Sally is in love with him. Or, the scene where Aidan gets his door (one of the most significant moments of the entire series in my opinion) at the end of the penultimate episode featuring “I’m Not Falling Asleep,” by Andy Shauf. And the lovely, lovely end scene backed by Royal Wood’s sublime “You Can’t Go Back.”

What else is there to say about Being Human, the little SyFy show that could, but this: werewolves Josh and Nora were infuriating at times, vampire Aidan self destructive and emo beyond believe at others, and ghost Sally, whose attempts to help always, always backfired! Each had their flaws. Each was forced to live with their supernatural-ness, even though it was not of their own design. Yet despite all of this, I was never annoyed. I never waned. It was a perfect little show and it spoke to my heart in a funny, aching way. The simple silly premise, this SyFy show about four supernaturals, with its modest budget and eclectic actors, turned out to be a wonderful surprise that regardless of story rooted in fiction, reminded us every week at the end of the day, we might not be immortal. We may might not change when the moon is full. We might not become best friends with a ghost. But we live and love and lose, just as Josh, Nora, Aidan and Sally, and that as simple as it sounds, is what it means to be human.

So, let’s end this on a high note. From my episode 9, “Too Far, Fast Forward” – “We Are the Wild Ones,” by Nina.

Sayonara TrueBlood


Last month’s series finale of HBO’s TrueBlood ended the way it should – Bill six feet under, Eric and Pam immortal partners in crime, and Sookie, well… knocked up and barefoot in Louisiana. It may have differed from the books but for a series that has seen its share of highs and lows, the season and its final episode did the series — which when it first arrived six years ago, rocked us into the supernatural in a sexy, graphic, comedic and crazy way — justice. Series creator Alan Ball and the show’s writers should be proud. Heck, all of us watchers that religiously tuned in the first two solid seasons, weathered the dreadful third and fourth, and hung on through seasons five and six praying it would return to its original magic, should be proud.

All in all, I am pleased with the way the season began and concluded. It was nice to spend time with each character and for our vamp friends, learn more about their life before Bon Temps and in some cases, before immortality. Getting to know Bill better was interesting: who he was in the Old South, a man of honor and charm, helped us to understand his desire for the “Final Death.” Also, while it seemed strange at first, the last episode helped to clarify why exactly it was he needed Sookie be the one to take him there. Giving her the chance to finally be free of Bill Compton and the danger he posed was a nod to his former honorable self. At same time, I did think it was a bit unfair of him to ask that of her. Staking your first and some argue, true love? He had to understand why that would be hard for her.  Nonetheless, thank goodness we got to that point and Bill did have his Final Death because he…was getting annoying. From mysterious, to self righteous, to smarmy…I have never been a fan of the character of Bill Compton and I for one — despite their last moments in the grave together aiming for poignant and touching —  couldn’t help but clap when he died, followed by “Finally. He’s dead. Good riddance, next.” To this point however, let me just say that THAT would have been a perfect ending: Sookie walking out of the cemetery, covered in blood. That last minute or two wrap up (not really an epilogue, but for all intensive purposes, an epilogue), showing what life looks like in the future, was weird and cheesy.

Now Pam and Eric on the other hand – I love them. Let me rephrase that…I LOVE THEM! From the beginning I have been an Eric fan. And no not just because he’s hot, because well, yeah, he is. But because he was interesting, and less annoying than emo Bill; an aggressive, but controlled demeanor with a penchant for sex, driven by a deeply hidden loss that you couldn’t quite put your finger on but knew was there. A balance of extremes portrayed perfectly by the delicious Alexander Skarsgård. Eric’s final scene (before that awkward epilogue) was classic Northman, showing his comedic side – head banging in the Yakuza’s car, with the gang stacked up dead in the backseat. The backseat of their car as he drives it listening to their music! I laughed hard when I saw that, and continue to laugh when I see it now.

I’ve also been a huge fan of Eric’s progeny Pam – her quick, dry wit, and formidable fashion, made her my favorite female character on the show. Her connection to Eric was at times comedic, other times raw; their respect and trust for one another forged over a hundred years. Her barbs were classic, and her rough exterior shaken only when it came to his safety was played with the perfect blend of strength by the gorgeous Kristin Bauer van Straten.

When it came to Eric and Pam I finally got my wish: the chance to see what they were like before Bon Temps, who they had been over the years to each other and others outside their bond, and for curiosity sake, were they ever together together? Through the last season we had small glimpses of the Viking Eric Northman and his Victorian era madam, Pamela Swynford De Beaufort. But it was in the last episode we finally we got a glimpse of just how strong their companionship was. Just what the two had been through together. And the connection shared. A deep bond that not only a vampire has for their progeny, but that which is shared between best friends and sometimes lovers. I KNOW! I was just as surprised to hear of this — albeit a small reference in a string of dialogue with Japan’s Yakuza band — but it was a good surprise, so thank you show writers for satisfying my curiosity. In the last episode it was clear to me their bond was that of trust and admiration and love, yes, a love,  that  no matter what game is played – like Pam claiming the idea for Fantgasia as her own – is returned with not the question of “Do you still love me?” but returned simply with, “Always.”

When you’re immortal, always is a long time.  

Jessica and Hoyt getting back together wasn’t a total surprise. Given Hoyt’s lifelong friendship with Jason I was hoping they would repair that relationship, which they did. So I was glad to see they brought he and Jess back together. It was nice to see a happily ever after there. Proof that even if you’re a bloodsucking vampire, happy endings are possible.

Jason was well, Jason Stackhouse, so he got the girl – not the one we thought show writers were leading us to the entire season – but one that turned him from eternal bachelor into family man. Full circle Stackhouse.

And Sarah Newlin…what else is there to say about the lovely Anna Camp other than she was left standing, albeit it in chains as Pam’s blood whore, her future bleak. A fitting ending some would say.

Last but not least La La…the fabulous Lafayette,  I was glad to see remained standing. He’d been through enough these past six years and deserved some happiness. I was relived to see he rode off into the future, glitter eyeshadow and all, with his lover man in tow.

The rest of the cast was solid throughout the last season, their ending performances sweet, reminding us why we were so excited about the show when it landed back in 2008.  I will miss the show, but glad it came to an end. Better to go out on top than dwindling.





‘The Originals’ Season Finale Recap: Life, Love, Loyalty and Hope

A few weeks ago I said I was quitting my blog.

I tried.

It lasted a few weeks.

I’m back.

I don’t like quitting.

So, if you like what I have to say and how I say it, you can thank CW’s show The Originals because they’re the inspiration for my return. How you say? Well, if you watch the show then you know it was incredible – so much so there was no other outlet I could think of to share just how much I loved it than here, and with you, my lovely readers.

So, Nightstand woke up. It was a short nap.

Now, let’s dive in. The Originals….

Anyone who knows me, knows I love stories of the supernatural. I love the supernatural because it’s not real. And we all need an escape from life sometimes. A break from the tough moments. The moments that break you. The moments that test your strength. The moments that remind you how frail humanity can be.

But those moments also teach you. They teach you about yourself. Your strength. Your ability to persevere, no matter how hard the battle. That humanity is incredibly strong and beautiful. And for that reason, I love the supernatural because often the stories centered in the supernatural world are just that: they’re about strength of character, of love, of life. About family. About the ties that bind us and keep us connected, no matter how crazy the world can be. Stories that are, incredibly human.

So yes, life is tough. But it’s also inescapably humbling, and breathtaking, and completely unexpected and beautiful with the most delightful joy in unexpected places.

I enjoy both aspects. I’m a dichotomy. But then again I never promised to be anything else than what I am. And that is someone that laughs, that cries, that loves. I fall, I get up, I move on. I am if nothing, incredibly human.

That’s why last night’s season one finale of The Originals got to me. It reached into my heart and squeezed tight. There was so much life in that one hour — even though witches were squaring off against vampires and werewolves, and plotting the sacrifice of a newborn hybrid, while turning the city of New Orleans into a supernatural war zone —  that at one point I had to pause everything I had seen so far, and catch my breath for the remainder of it.

You may think I’m crazy but any fan of the show knows, last night’s finale was OFF THE HOOK CRAZY GOOD. It answered so many questions, brought so many relationships and story lines full circle. It connected what I thought were loose ends that were due to kinks being worked out in its freshman season and tied everything together perfectly, showing us that every story line, every episode had tracked to this one hour, setting in motion story lines that would unravel next season and well into future ones. For this finale I have to say to producer Julie Plec… Well done, well mother lovin’ done (and that pun on the “mother” was intentional.) You promised it would be mind blowing and well, consider my mind completely blown. There were so many moments that were palpable I actually found myself holding my breath. That scene with Hayley and Hope…. I can’t. even. take it. It hit me like a ton of bricks in a really, really profound way, sending chills up my spine.

In an hour we got to see a monster who has terrorized just about everyone he has ever known, be brought to his knees by his newborn daughter.  We saw a family bond that had been broken, with little hope of repair, mend with new commitment and loyalty.  We learned  the ties that bind us, have the power to bring us back…sometimes even from the dead.

We were also introduced to new characters, the return of some original ones (catch the pun there?), and a feeling of hope, thanks to the arrival of one sweet baby girl of the same name. The episode was sheer poetry and by far, the best episode of the season not to mention, perhaps the best show of all seasons of the Vampire Diaries (its sister show) and The Originals combined.

Now sadly, we must wait to see how everything unfurls next season and I will be left wondering all summer… will Elijah and Hayley finally get together? Will Esther and her son (presumably Finn) make their way out of the bodies they stole and be put out of their misery so sweet baby Hope can return? Will Rebekah return for good (Claire Holt is divine), or will she head to somewhere close say, Mystic Falls, so we can see her lovely face more often? That scene by the way – with Rebekah and Klaus – was sheer magic. Their bond has always been complicated, but the fact he trusts her, above all others to keep his daugher safe, speaks volumes about the soul that lies in the heart of Klaus, reminding you that despite everything they have done, has always, and will always be, for their family.


So much to ponder. Let the countdown to next fall begin.

Until then, check out The Originals soundtrack. There’s been some great artists featured this year. Here’s two of my favorites from the finale .

“Open Hands” by Ingrid Michaelson

“Shallows” by Daughter

Cool Songs in Movies (and on TV): Mariah, Mercy, a McDonald and a Matthew

I was disappointed in Oz The Great and Powerful. As far as movies go, I was left wanting more. I thought the colors were incredible, but the talent of Rachel Weisz and James Franco incredibly wasted, and Michelle Williams too soft and vapid. Mila Kunis was gorgeous, but her Wicked Witch of the West paled in comparison to Margaret Hamilton, who to this day is the only actress to portray the character beyond imagination. I said all this months back when the movie first hit theaters. You can check out my review here.

All this said, now that it has hit the Starz channel and on rotation nearly daily, I’ve had a chance to watch it again and while I still think it was capable of so much more I did discover the second go around, a gem – a song during the end credits that I may have caught had perhaps I stuck around the theater long enough the first time. But I hadn’t. I broke my golden rule. Credits = music, and assuming the score would be as much of a bore as the flick, I hightailed it out of there instead of sticking around for hidden surprises like behind the scenes outtakes, sneak peek’s at future movies and well, music. After all, the end credits were the best part of the first Twilight film; the samples from the soundtrack that accompanied the millions of names scrolling up the screen  worth the hour and a half of bad teen angst acting.

But I digress….

Back to Oz.

I had to Shazam it because I couldn’t believe what I was hearing. For a music lover with a deep appreciation for the human voice, I was stunned. The tune was glorious in the way only one accompanying a major Hollywood film would be, but it was that voice. It was familiar, but almost forgotten; its divinity  lost years ago.  It was …Mariah Carey? A non-shrieking, solid vocal performance from the diva whose music I once sang along to before she got all Honey on me? Mon dieu!

I have never heard this song until a few days ago, but have to say, I was impressed and hope there is more tricks left in MC’s bag. I sure hope so. The Emancipation of Mimi album was LONG overdue and I am anxious for another solid album.

“Almost Home” by Mariah Carey

Two other recent discoveries come from the CW’s new show, The Originals. I am a huge fan of The Vampire Diaries’ spinoff. Set in the city of New Orleans (my kindred soul mate, if a city could be one), the show focuses on the remaining members of the original vampire family – siblings Klaus, Elijah and Rebekah. The acting is solid  – both Joseph Morgan and Claire Holt incredibly talented, stealing many scenes of TVD episodes over the past few seasons – and plot line compelling, a well written new spin on the witches vs. vampires tale started over on TVD and carried deliciously over to The Originals. And…like most CW shows, the music featured in each episode is just the way I like it: indie and emo, with a tad of edge to keep it interesting.  Many of the artists featured in episodes so far I was introduced to through TVD. But so far this season a couple of favorites are singles from Mercy and Moby featured in episode 3, “Tangled Up in Blue.”

“Mercy” from Hurts

“A Case for Shame (with Cold Specks)” from Moby

I also must share a new tune discovery from one of my fun favorites Drop Dead Diva – a show which thankfully found new life after having been cancelled by its home network and producer, Lifetime.

Sometimes the emotions in a friendship are stronger than words can describe, and Shawn McDonald’s song “Through it All” was the perfect song choice for Season 5’s Episode 11, which saw best friends Jane and Stacey finding meeting in the middle after…well, you just need to watch the show because it’s too hard to explain. But it was after an “oh no she didn’t!” moment that I thought nothing could repair.

I found the version of the song they used in the episode on iTunes, but all of the videos on You Tube are a different version and trust me, the one from the show was incredible.  So, for now, a small clip will have to do. Click here and then click on the song title, “Through it All.”

And lastly, this ethereal beauty was discovered in last week’s episode of Witches of East End on Lifetime. And before you judge me, I will say the show is fabulous! I thought it would be a cross between Desperate Housewives and that tragic show about scandalous maids on Lifetime, but it’s not. It’s fabulous and wicked and I hope (fingers crossed) good enough to make it another season.

Matthew Perryman Jones’ “Canción de la Noche” caught me totally by surprise.  It was quiet, and simple, and haunting, and everything about music I love. A song that reached into my chest and squeezed tight. It’s a powerful song, telling a story that seems to be of both this world and another. Check it out, you’ll see.

That’s it for now. But I have a ton of shows to catch up on, so don’t be surprised if you see another post in the days following with more delightful discoveries. Until then download these finds, slip on your headphones, and drift slowly off to sleep.

Cool Songs in Movies featuring Evanescence, Danger Mouse & Sparklehorse, and Joy Formidable

It’s been awhile my friends. I’m sorry. I’ve had a lot going on. Everything has suffered. My writing. My working out. My sanity.

But alas. It’s back — my writing, not my sanity — and what better way to return from a short detour, than with a fun post around music.

I watched a handful of movies this weekend, but it wasn’t the movies that stuck with me, rather,  the musical gems hidden towards and at the end of two flicks I’ve seen countless times, two featuring vampires and one about love (shocker, right?)

So, please add the two songs to the download queue. They’re pretty great.

“Made of Stone” by Evanescence – heard during the end credits for Underworld: Awakening.

“Revenge” by Danger Mouse & Sparklehorse featuring The Flaming Lips – heard in the end scene of Crazy, Stupid, Love

“Endtaps” by Joy Formidable – heard during the end credits of The Twilight Saga: Breaking Dawn – I

Saying goodbye to Twilight…a few of my favorite things

When I first saw Twilight in fall of 2008, I had no idea what I was in for. I went thinking it was a serious movie about vampires (alright serious and vampires is a bit of a joke, but you know what I mean). I went thinking it was something different than the screen adaptation of the YA series that had taken the world by storm. Of course at the time I hadn’t read the books yet. That happened a few months after when a friend convinced me I had to read them, after I told her about this weird movie I saw with an awesome soundtrack, but horrible acting and hideous wigs.

It took me two weeks to devour the first three books and when Breaking Dawn hit, the last book in the series, I was in line like millions of others to purchase it, and like millions of others, read it in one sitting (which lasted through the night and a bit of the next morning). So, by the time the film adaptation of New Moon, book two in the series hit theaters in 2009, I was ready – this time as a fan. But sadly, it was as tragic as the first movie – the acting worse, the wigs more scary – and so the books lived on in my heart, while the movies became comic relief.

However, there is a little something of each movie I liked and in honor of the release of Breaking Dawn Part Two (which I of course saw already), I won’t write a review, rather share something from each that I enjoyed.


Hands down, without a doubt, the thing I loved most about the first movie is the soundtrack. It’s amazing, featuring tracks from Blue Foundation, Mutemath, Linkin Park, Muse and a band I wasn’t aware of until the soundtrack, Paramore (a favorite) among others. In honor of the soundtrack another artist I was pleasantly introduced to in the first movie – Iron & Wine – and their lovely song, “Flightless Bird, American Mouth.”

New Moon

I almost put Taylor Lautner’s abs as the winner of my favorite thing from New Moon but that would have been creepy since I’m old enough to be his mother. So instead, I will say the best thing about the second movie for me was the wolves. So much emphasis was placed on the vampires in movie one, that in movie two, I was pleasantly surprised to find the wolves to be less hokey than the vampires and pretty close to what I had imagined them to be.









I hated this movie. I thought it was the worst one yet, but then Breaking Dawn Part One came along and took the spot.  Then again, it was my least favorite book of the series so I shouldn’t have been surprised. The shuttling of Bella between La Push and Edward’s house to keep her safe was silly, and her playing both to satisfy her need to not be the bad guy was as annoying just as in the book.  The only thing I can say I liked about this one is the introduction of Riley and Bree Tanner– a young man turned vampire by Victoria that she feigns love interest in to help her build an army to take down the Cullen’s. And Bree Tanner, a young girl turned vampire who spawned a novella released in between Eclipse and Breaking Dawn, showing us what a day in the life of a new vampire looks like.











Breaking Dawn Part One

There’s actually two things I loved from part one. Bella’s wedding shoes. The beautiful named Swan by Manolo Blahnik.








And the song “A Thousand Years” by Christina Perri featured on the soundtrack. The song is lovely and the video is gorgeous.

Breaking Dawn Part Two

While we saw them at the end of Breaking Dawn Part One, Bella’s eyes in the second movie are pretty awesome, emphasized by incredible make up so Bella is of the same perfection as the rest of the Cullen Clan.






Also, I loved the opening cinematography – it was stunning – and the end scene where Bella drops her shield and gives Edward a look at all the memories she has of the two of them. It was a nice look back at the movies that wasn’t nearly as painful as seeing them in their entirety and was a nice way to wrap the series.

Well, that’s it for Twilight for me. Well, for now, until Meyer decides she wants to revisit the town of Forks, this time years down the road when it’s Jacob and Renesmee (oh come on, you know its coming!)